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Howard’s End is about three families in England at the beginning of the twentieth century. It is a novel by E. M. Forster, first published in 1910 and which tells a story of class struggle in England at the beginning of the 20th century. The main themes are the difficulties, and also the benefits, of relationships between members of different social classes The three families represent the differences of the Edwardian middle class.

The Wilcox family, who are rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), who represent the intellectual bourgeoisie The Schlegels frequently Howard’s End encounter the Wilcox family. The youngest, Helen, is rejected by the younger Wilcox brother, Paul. The eldest, Margaret, becomes friends with his mother Ruth Wilcox. Ruth’s most prized personal possession is her family house at Howard’s End. She wishes that Margaret could live there. Margaret becomes aware of Henry’s troubling attitude towards the lower social classes.

This is a main them of the book. She then confronts Henry about his ill-treatment, and he is ashamed of the affair but unrepentant about his harsh treatment of her. Because of Margaret’s marriage into the Wilcoxes and situations such as these, the Schlegel sisters drift apart somewhat. Helen continues to try to help young Leonard Bast, but it all goes terribly wrong; because of Bast’s wife’s connection with Henry, Henry will not countenance helping them. Finding herself pregnant, Helen leaves England to travel through Germany to conceal her condition, but eventually returns to her sister.

Margaret tries in vain to convince Henry that if he can countenance his own affair, he should forgive Helen hers. Henry’s son attacks Bast for the dishonor he has brought to Helen, and accidentally kills him when his weak heart gives out. The ensuing scandal and shock cause Henry to reevaluate his life and he begins to connect with others. He bequeaths Howards End to Margaret’s nephew – Helen’s son by Bast. Helen reconciles with her sister and Henry, and decides to raise her child at Howards End.

Forster’s 1910 novel begins as a collection of seemingly unrelated events:Helen’s impulsive engagement to Paul Wilcox; a chance meeting between the Schlegel sisters and an impoverished clerk named Leonard Bast at a concert; a casual conversation between the sisters and Henry Wilcox in London one night. Though set in the early years of the 20th century, Howards End seems even more suited to our own fragmented era of e-mails and anger. For readers living in such an age, the exhortation to “only connect” resonates ever more profoundly.

James Joyce masterpiece: Portrait of an Artist as a Young Man is a novel that tells the story of a young man in his first twenty years of his life and the main influences in his life and how they pull him in one direction or the other. It is the story of Stephen Dedalus who is a young Catholic boy growing up in 19th century Ireland. What is most interesting concerning the prose of the book is that the story really is a narrative of his life as reflected upon the actual way a person of that age would talk and reasoning. The dialogue becomes more advanced as Stephen grows up into manhood.

The main point of the book is the religious and political pulls on this young boy. Stephen is contemplating whether or not he should become a priest. This is a strange turnaround from the beginning of the book where Stephen has an experience with a prostitute and in graphic, though masked description, tells of the experience. But after going to a religious retreat, Stephen devotes himself to God to such a degree that the director of the school that he attends suggests that he become a priest. Stephen contemplates the notion for a time but eventually declines the offer.

The end of the novel ends on an upswing for Stephen who has decided to become an artist. It is unclear as to whether or not he will succeed or if this opportunity will be abandoned in the end. Perhaps the ending of the book is left up to the imagination of the reader is because the novel is in some ways an autobiography of James Joyce’s life. Critics argue as to whether of not Joyce saw Stephen as a young version of himself. Langston Hughes is known as not only one of the greatest African-American poets but also, American poets of the 20th century. His work has become linked with what is called the Harlem Renaissance.

Hughes was unashamedly black at a time when blackness was looked down upon as he explored the black human condition in a variety of depths. The poem Ballad of the Landlord is a great poem and a great example of the proactive stance that Hughes took in his writings. Permeating his work is pride in the African American identity and its diverse culture. Therefore, in his work he confronted racial stereotypes, protested social conditions, and expanded African America’s image of itself; a “people’s poet” who sought to reeducate both audience and artist by lifting the theory of the black aesthetic into reality.

To the Lighthouse is a novel by the acclaimed author Virginia Woolfe. It tells of the life of the Ramsay Family and their visits to Scotland in 1910 and 1920. To The Lighthouse follows in the modernist novelists like Marcel Proust and James Joyce where the plot takes a backseat to heavier philosophical questions and introspections and the dialogue can be hard to follow. The novel is unique in the fact that there is very little dialogue and most of it is written as thoughts and observations from the major characters. The main characters in the book are Lily Briscoe and Mrs.

Ramsey. At the beginning of the novel, the Ramsey household is at their summer home in Scotland on the Isle of Skye. The Ramsey household has been joined at the house by a number of their friends. One of them is Lily Briscoe is has a lack of confidence in herself and in her talents, due in part to the verbal assault that she takes from Charles Tansley, another guest of the Ramsey’s. The beginning of the book is monopolized by the dinner party and the minor arguments in the face of Mrs. Ramsey’s attempt to throw the perfect dinner party.

“Large parts of Wolf’s novel do not concern themselves with the objects of vision, but rather investigate the means of perception, attempting to understand people in the act of looking. In order to be able to understand thought, Wolf’s diaries reveal, the author would spend considerable time listening to herself think, observing how and which words and emotions arose in her own mind in response to what she saw. ” Pelham Grenville Wodehouse was an English comic writer who enjoyed popular success for more than seventy years. His characters however were not always popular with the establishment, notably the foolishness of Bertie Wooster.

The Code of the Woosters is the first installment in the Totleigh Towers saga. The story opens with Bertie recovering from a bachelor party he has thrown the night before for Gussie Fink-Nottle. While still resting, he is summoned before his somewhat-beloved Aunt Dahlia, and ordered by her to go to a particular antique shop. This is an effort to sap the confidence of the shop’s before the antique silver piece is purchased by Dahlia’s collector husband Tom Travers. While in the shop, Bertie has his first run-in with Sir Watkyn and Spode.

Bertie escapes this ordeal relatively unscathed, but later learns that, via underhanded skullduggery involving lobsters and cold cucumbers, Sir Watkyn has gotten ahold of the creamer instead of Uncle Tom, and spirited it away to Totleigh Towers. Bertie was already headed there, in a frantic attempt to patch over the sudden rupture in the engagement of Gussie and Madeline Bassett, Sir Watkyn’s droopy and overly-sentimental daughter, but now he has been assigned an additional impossible task by Aunt Dahlia: recovery of the cow creamer, which is being guarded both by Spode and the local police.

His situation is only complicated further by the presence at Totleigh Towers. Jeeves’ intellect is strained to the utmost, but in the end, the two couples are still engaged to be married. In gratitude, he agrees to take the Round-The-World cruise which Jeeves has been promoting, thinking that at absolute worst, he won’t be seeing Stiffy Byng. The Code of the Woosters is the first installment in the Totleigh Towers saga.

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