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The painting Flo Veil is highly known as a picture within a picture, this in my opinion is because the picture of Jesus in a veil is surrounded by another dimension of pictures that tell another story. The painting might have been highly influenced by the medieval period because of the way he chose the color and texture of his piece, but disparity of this idea could also be noticed in the faces of the figures in the painting. They are not of the typical facial features of medieval or renaissance paintings which present the strong features of the face.

Another area of the painting that might easily get noticed was how the painter combined in the picture the earth and heaven aspect of life. With all of the story going on in the painting, it is utmost necessary to take a closer and longer look at it before you can compose your own understanding of what the painter is trying to point out. Each character present in the piece has a story to tell and when pieced together, another story even evolves.

To fully grasp the message of this painting, it is important to break up its components and try to deduce its meaning. When you look at the painting, the first thing that you would have easily noticed is the picture of Jesus which is depicted on veil. This may symbolize the veil that Veronica wiped Jesus faced with during his walk to crucifixion, thus the name Flo Veil. The picture on the veil is placed above a family that seems to be mourning for someone which could be seen from their black outfits and somewhat sullen expressions.

St. Peter who holds the key to the gates of heaven is also present in the picture. This may be because as the death is travelling towards another world, the family left behind is strongly praying to St. Peter to let the dead loved one into heaven. Another figure on the opposite side of St. Peter may be a patron saint of the family. The heaven element which is identified by the angels on the upper part of the painting justifies the message of the dream of the family of their dead family member entering it.

The painter may have also emphasized that he believed that Christ was really God’s son who became human and rejoined his Father as symbolized by the Stations of the Cross that separates earth and heaven in the painting.

Reference

Bennett, Lennie. Times art critic. Ringling Museum of Art A Family Group Adoring the Veil of Veronica, c. 1490, oil on panel, 311/2 inches by 27 inches. Published November 6, 2005

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