Recent developments in motion picture technology, as well as an increased number of outlets for the everyday auteur to share their films, has created a market of modestly reasonable camera innovations for bourgeoning filmmakers. One company that is heading the line in creating dynamic video cameras, with superlative quality and minimal bulkiness is the Red Digital Cinema Camera Company. Founded in 2005 by James Jannard, The Red Digital Cinema Camera Company has been manufacturing digital cameras and cinematography equipment at a price point that lucrative to professional filmmakers and affordable for independent filmmakers.
The RedOne is the centerpiece to the company, remarkable for its resolution ability and storage capability. Early reviews were ecstatic, claiming that it Red digital technology was final the camera to match the warmth and complexity of traditional film. The camera also featured resolution capabilities far beyond what had previously been seen in high definition cameras. The Red Camera is compact enough, yet with the powerful storage and filming capability, that it is accessible to nearly any type of filmmaker.
Academy Award winning director Steven Soderbergh used RedOne prototypes to film his film Che, which he presented at the 2008 Cannes Film Festival. Filmed in the Spanish wilderness, the camera was able to put withstand stresses of a typical movie shoot, while remaining lightweight enough for the director (about 10 lbs) to carry in hand for up-close, steady cam, or other fluid, ultra-realist, filming techniques. As more directors begin to utilize the camera, and more films completed with such increased resolution, the way s films are viewed change as well.
Additionally, as the cost of a basic, no-frills, Red One Camera runs about $17,500, it can be used or shared by many independent film makers or schools, giving young artists of today an operational and lightweight method of making films whose techs can compete with that of professional studio films. Another current development in camera technology that has made high quality filmmaking accessible to wider audiences is the Brevis 35 mm lens adapter, developed by Cineavate and retailing for around $800.
The unit contains rechargeable batteries, which is replaceable. It also will run on two AA batteries or connected to a powerpod. A special feature of the adapter is the ability to interchange variable bokeh imaging lenses, one of the only adapters that allows users to change glass lenses per their needs. The adapter works with most cameras, but because attaching a 35 mm adapter will add weight to the front of the machine, users should also attach rails that will help support the extra heft.
Consequently, nearly any camera can become 35 mm ready within a matter of moments. Reviews for the Brevis adapter have been mostly positives. Its light weight, rechargeable battery and interchangeable lenses make it ideal for one who wishes to have intricate, outdoor or location shots with optimal manipulation of light and focus filters. However, some critics are derisive of the appear ace of slight grain when using the Brevis adapter at high shutter speed.
Never the less, the adapter is reasonably priced enough that many amateur and professional directors can afford it. The changeable bokeh lenses give directors the ability to alternate between six types of lenses, for optimal use of lighting configuration and attached camera size. It attaches easily to most cameras, simply screwing onto to whichever camera it assists. But with the adapter, nearly any camera can be turned into a high quality piece of equipment used for cinema quality film making without incredible bulk of financial overhead.
Thus, like the equipment by the Red Digital Cinema Camera Company, Cineavate is fine tuning film technology so that process of filming is easier, without compromising the quality that would be found in immense, 35 mm film cameras. Works Cited: Behar, Michael. “Analog Meets Its Match in Red Digital Cinema’s Ultrahigh-Res Camera. ” Wired Magazine Online. 18 August 2008. <http://www. wired. com/entertainment/hollywood/magazine/16-09/ff_redcamera? currentPage=all> “Brevis 35 mm. Adapter Demo. ” Cinevate Official Website.
<http://www. cinevate. com/website/brevisdemo/> “Redrock M2 VS. Cinevate Brevis. ” Gear-Brain: All Things Tech Blog. 28 November 2008. <http://gearbrain. blogspot. com/2006/11/redrock-m2-vs-cinevate-brevis. html> Joy, Paul. “Cinevate Proteus rails. ” Adventures in Vidography Blog. 30 December 2008. <http://www. pauljoy. com/? page_id=957> Mathers, James. SudioDaily. com . <http://www. studiodaily. com/main/technology/pvr/8722. html> “Red One/Cameras. ” Red Digital Cinema Official Website. <http://www. red. com/cameras/>Sample Essay of BuyEssay.org